In the Shadow of the State Jesse Jones and Sarah Browne (research collaborator for year-long Arts Council/Create/Artangel art project, funded as one of the 15 national projects for the centenary of the 1916 Rising) research, Irish Architecture Foundation (co-curator) Grit, Grandeur and One Euro Bananas: Design and Material Culture in Dublin 1 exhibition of NCAD/UCD MA/MFA/M.Arch. Tremble, Tremble Jesse Jones at the Irish National Pavilion, Venice Biennale of Art (research collaborator) Opening procession, EVA Art Biennale, Limerick (research advisor) She is a researcher on the project 100 Years of Self-Determination at the Irish Museum of Modern Art.ġ36 Hectres: Urban Material Culture in Dublin 8 (NCAD Gallery, co-curator) She was perviously on the Board of the Irish Architecture Foundation and a Trustee of the Design History Society. Godson was recently appointed to the historical studies sub-committee of the Royal Irish Academy and as Visiting Research Fellow at the School of Architecture, University College Dublin. Her collaborations with creative practitioners include the award-winning feature-length documentary Build Something Modern (Still Films), based on her concept and research on modernist architecture in Africa, as research collaborator with artists Jesse Jones and Sarah Browne on their major Artangel/Create/Arts Council 2016 national commission In the Shadow of the State and with Jones on the Irish Pavilion at the Venice Biennale (2017). Godson often collaborates with cultural institutions, curating and organising joint initiatives with the Irish Architecture Foundation, the Little Museum of Dublin, the National Gallery of Ireland, the Irish Museum of Modern Art and the National Museum of Ireland. She has published across a range of journals including Journal of Victorian Culture, Parse Journal of Artistic Research, Proceedings of the Royal Irish Academy, Irish Geography, Journal of Design History, Design and Culture, Journal of the Society of Architectural Historians, Material Religion and Architectural Review as well as catalogue and monograph essays for artists and architects including Orla Barry and Ryan Kennihan. Influence, Process and Afterlife since 1945 (Bloomsbury: 2019 co-edited with Kathleen James-Chakraborty), Making 1916: Material and Visual culture of the Easter Rising (Liverpool University Press: 2015, co-edited with Joanna Bruck) Design learning in an age of austerity (Cumulus: 2015). Clothing and Discipline in the Modern World (Bloomsbury: 2019 co-edited with Jane Tynan) and Modern Religious Architecture in Germany, Ireland and Beyond. She studied History of Art at Trinity College Dublin and History of Design at the Royal College of Art/Victoria & Albert Museum, London (MA, PhD).
Her research interests include the material culture of ritual, ‘tropical’ modern architecture in West Africa, the history of medical devices and the material culture of Catholicism. Lisa Godson is a cultural historian and Programme Leader of the MA Design History and Material Culture at NCAD, a unique postgraduate programme run in partnership with the National Museum of Ireland.
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